Beau Jest / MusicOHM

“The staging is lovingly detailed, recreating Sarah’s 80s Chicago apartment with minute attention to each poster and cushion, a rare thing on stage, and wonderful for transporting the audience.” Sarah Perry Read review in full

Eugene Onegin / The Journal

“Worthy of note is Becs Andrews’s superb set design. The Larina estate, for instance, is carved up by a fence which seeks to keep the economic realities of peasant life separate from Tatiana and Olga’sbourgeois romances. The arrival of Onegin . . .

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The Tinder Box / The Stage

“A school matinee certainly puts panto to the test. And this show passes with flying colours, enchanting the audience with setting, effects and costume, all as splendid as the cast” Carol Baldock Read review in full

The Tinderbox / Daily Post

“The set and costume designs from Becs Andrews are outstanding, the single set changing all the time by the use of windows, gauze and lighting’ Philip Key Read review in full

La Serva Padrona / The Stage

“It’s neat and clever comedy. Harry Fehr’s staging, with a lavish modern set by Becs Andrews, overlays the simplicity of the original wherein the servant Serpina connives to persuade her elderly master Umberto to marry her. To this archetypal scenario . . .

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Jeff Koons / The Guardian

“Directed by Gordon Anderson, the show captures some of the playfulness and jokiness of Koons’ work, particularly in Becs Andrews’ Linbury prize-winning design. Balloons rise through cut-out circles to represent gyrating dancers at an exclusive club, or turn into a . . .

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Jeff Koons / The Stage

“Despite its title, the play is not about the kitsch artist, although his playful spirit does hover over Becs Andrews’ vivid set – which won the Linbury Biennial Prize for Stage Design – with its palette of fluorescent oranges and . . .

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Jeff Koons / The Times

“The opening night of Gordon Anderson’s ATC production at the ICA was bedevilled by technical problems, which meant that the entire lighting design had to be jettisoned. Even so, it looked ravishing. Becs Andrews’s 2003 Linbury Biennial prize-winning set consists . . .

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