“This new joint Oxford Playhouse, Northern Stage, and Improbable Theatre production of Shakespeare’s The Tempest throws up a full-scale, Force 10 storm right from the start, just one of a series of spectacular scenic effects by designer Becs Andrews.” Giles . . .
“conveyed with economy and style. The office sequences, in particular, with their gleaming white workstations and bright clothes (design: Becs Andrews) are highly enjoyable, the ensemble striking crisp poses and wrapping and unwrapping their limbs neatly around the furniture” Jenny . . .
“Can this be the best British opera in years? Luke Bedford’s Through His Teeth at the Royal Opera House’s Linbury Theatre is exceptional. Drop everything and go.” “Distorted values, distorted reality. The designs (Becs Andrews) capture the psychological dislocation implicitly . . .
“Short, pithy and smart, Through His Teeth managed that elusive feat of being at once gripping and amusing. The conductor Sian Edwards, Chroma, Victoria Simmonds (the third cast member), director Bijan Sheibani and designer Becs Andrews all contributed to a stylish, provocative, . . .