“Not since I was a boy and saw the black light theatre in Prague have I been so visually impressed as with this piece. The set – consisting of a huge white cloth that was reconfigured to specular effect – and visual projections by Becs Andrews created labyrinths of gene pools in which the full cast swirled and spiraled with the raw yet elegant physicality that is the trademark of Phoenix” Carlos Pons Guerra
Full review available from Dance Europe, No 171 March 2013, page 64-5